Α' Διεθνές Συν. του Αμερικανικού Ιδρύμ. Βυζ. Μουσ. και Υμνλ.

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Εγγραφή: 07 Φεβ 2008, 05:43

Α' Διεθνές Συν. του Αμερικανικού Ιδρύμ. Βυζ. Μουσ. και Υμνλ.

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Α' Διεθνές Συνέδριο του Αμερικανικού Ιδρύματος Βυζαντινής Μουσικής και Υμνολογίας, Αθήνα 2007

Το πρόγραμμα του Συνεδρίου: http://www.asbmh.pitt.edu/page9/page10/ ... age11.html

Βίντεο με τις διαλέξεις των Συνέδρων: http://www.asbmh.pitt.edu/page9/page10/page10.html

Οι εισηγήσεις του Συνεδρίου:

CONFERENCE PAPERS

Evangelos Andreou
The musical byzantine "codices" of Angelos L. Voudouris: A timeline

Maria Hronis-Vakalopoulos
Hymnographic references to the exile of St-John Chrysostom

Dimitrios Balageorgos
Autographed codices of John Plousiadenos In the library of the Monastery of Sinai

John Michael Boyer
The transcription, adaptation and composition of traditional Byzantine chant in the English language

Ageliki Tseva
An artist’s Perspective - Byzantine Melodies and their effect on my soul

Maria Alexandru
Hryseois epesi - A stichiron in honor of St-John Chrysostom in its diachronic musical development

Flora Kriticou
A method of Kalophonic Composition and Kalophonic formulae

Dimitris Karamvalis
Poetry and Music to Romanos the Melodist

Spyros Panagopoulos
Kassia: A female hymnographer of the 9th century

Grigorios Anastasiou
Orthros pasapnoaria as kalophonic compositions: Thoughts on the deliberateness of the kalophonic hymn in general

Evaggelia Spyrakou (per Flora Kriticou)
The Byzantine choral system until 1204

Achilleys Chaldaiakis
Psaltic Families: The Raidestene

Arsinoi Ioannidou
The kalophonic settings of the 2nd psalm in the byzantine tradition -a report on an on-going dissertation

Georgios Hatzichronoglou
On Melodic Recitation

Stefanos Skarpellos
Melodic recitation of the epistle readings in the psaltic style of Emmanuel Hatzimarkos

Konstantinos Markos
Byzantine ecclesiastical music and the demotic/folk song -common features and differences

Vassilis Kafkopoulos
The Aetolian school of byzantine music and its influence on the northwestern Peloponnese

Father Konstantinos Terzopoulos
Online access to manuscripts of Byzantine chant

Michalis Stroubakis
Nicholas Docheiarites and the adaptation of Hellenic Ecclesiastic Melodies into Slavonic ecclesiastic language

Costin Moisil
The role of nationalism in modeling the Romanian chant before World War I: The case of the liturgy of St-John Chrysostom

Father Romanos (Rabih) Joubran
The use of eastern musical modes in Byzantine compositions during the 19th and 20th centuries

Hilkka Seppälä
Byzantine Octoechos as the theoretical nucleus of Finnish Orthodox psalmody

Maria Takala-Roszczenko
Byzantine Church music in Finland: Exploring the past, envisaging the future (Part I)

Jaako Olkinuora
Byzantine Church music in Finland: Exploring the past, envisaging the future (Part II)

John Michael Boyer
The transcription, adaptation and composition of traditional Byzantine chant in the English language

Christian Troelsgard
Papyrus Vindobonensis G. 19.934 and its musical implications

Konstantinos Karagounis
Eight musical manuscripts from the Almyrou area of the Magnisia prefecture

Rev. Vladimir Vassilik
The study of uncial Greek Triodion -palimpsestus of the IX century

Nick Giannoukakis
Metrical identity and homology between classic Greek literature and Byzantine hymns -a meta-analysis

Cenk Guray-Ali -Fuat Aydin
Byzantine music as an expression of Eastern liturgy

Christina Abdul-Karim
Using and hearing Greek Byzantine chant in contemporary compositions
Τελευταία επεξεργασία από το μέλος Παναγιώτης την 15 Ιουν 2010, 03:53, έχει επεξεργασθεί 1 φορά συνολικά.
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